Graphic scores represent music using visual images outside the realm of traditional music notation, and have been an effective way for experimental musicians to convey musical ideas since the 1950s. However, while many graphic scores are visually interesting, few claim to be works of art in their own right. The collaboration between musician and composer, Raymond MacDonald, and visual artist/printmaker, Jo Ganter, co-authors a series of original prints and musical compositions that test the possibilities of images as conductors of sound, and sound as a compositional tool for images. The reproduction of the images, as archival inkjet prints, allows the works to be used as graphic scores for groups of musicians to perform them, while they are simultaneously exhibited artworks.
Hand drawn ‘grids’ and photographs provide the starting point for intricate images that are collaboratively developed in numerous ways. Sometimes both Raymond and Jo work on the images simultaneously, sometimes through a remote collaboration (scanning and digital editing etc), and sometimes the images are edited while rehearsing with groups of musicians.
Ganter and MacDonald take equal responsibility for the making of the images and the direction of the music; immersing themselves in each other’s practice to produce truly co-authored work: Ganter/MacDonald compositions and MacDonald/Ganter prints; in this way, blurring the boundaries between visual artist and musician/composer. The resulting work is as important visually as it is musically – these two elements in complete equality.
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